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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Potters' Portrait Pot
Potters' Portrait Pot
Potters' Portrait Pot

Potters' Portrait Pot, 2009

Hermannsburg Potters, Irene Mbitjana Entata, Virginia Mbitjana Rontji, Lindy Panangka Rontji, Rahel Kngwarria Ungwanaka, Rona Panangka Rubuntja, Dawn Ngala Wheeler, Judith Pungarta Inkamala, Anita Ratara Mbitjana, Hayley Panangka Coulthard, Clara Ngala Inkamala
Portrait, fired terracotta clay, underglaze

Commissioned 2009

Hermannsburg Potters
Hermannsburg Potters
Hermannsburg Potters

Hermannsburg Potters, 1999

Greg Weight
Portrait, gelatin silver photograph on paper

Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.

Alexandra Schepisi, 2011 by Anita Beaney

Alexandra Schepisi, 2011

by Anita Beaney
Image
Adalita Srsen, 2013 by Anita Beaney

Adalita Srsen, 2013

by Anita Beaney
Image
Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Self Portrait (Textanude) by Arlene TextaQueen

Animated

Self Portraits Online
Previous exhibition, 2008

Animated is the National Portrait Gallery's first online exhibition.

Ursus sitting, 1931

Two pair

Magazine article by Dr Jacqui Strecker, 2008
Stuttgart's Art Museum is showing Otto Dix portraits alongside artists from Lucas Cranach to Andy Warhol.
Untitled #88 (Captain Brad Kilpatrick and Kylie Minogue, Balibo, East Timor, 20 December 1999)

For the boys

Magazine article by Alistair McGhie, 2011

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Audience in the Palace Theater c1943

Exposed: Voyeurism Surveillance and the camera since 1870

Magazine article by Sandra Phillips, 2010

The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.

Charles Haddon Chambers

Suave

Magazine article by Dr Sarah Engledow, 2010

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

Nannultera, a young cricketer of the Natives' Training Institution, Poonindie , 1854 John Michael Crossland

The catechist and the cricketer

Magazine article by Stephen Valambras Graham, 2021

Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.

Practising the Minuet (Miss Hilda Spong)

An actress and her fans

Magazine article by Dr Sarah Engledow, 2008

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency